audio visual essays

WELCOME to THE AUDIOVISUAL ESSAY: Practice and Theory of Videographic Film and Moving Image Studies. You can find out about the contents of this REFRAME website here. RSS · Email. Copyright © 2018 The Audiovisual Essay and Individual Authors. A REFRAME Publication | Theme: Catch Box Pro. Scroll Up.
This section of the Audiovisual Essay: Practice and Theory of Videographic Film and Moving Image Studies proudly presents the collected papers and screening programme from the Audiovisual Essay: Practice and Theory International Workshop presented by the Film, Media and Theatre Studies Department of Goethe
The video essay as an experiment performed on the work of art by Vinzenz Hediger; The One and the Many: Making Sense of Montage in the Audiovisual Essay by Cristina Álvarez López and Adrian Martin; Roundtable Discussion (between Catherine Grant, Cristina Álvarez López, Adrian Martin, Carlos Losilla and Manu
08.03.2016 -
Ein neues Medium der Reflexion fasst derzeit Fuß in der akademischen Filmwissenschaft ebenso wie auf Fanwebsites und anderen Plattformen: der Video-Essay, im Englischen auch als audiovisual essay oder digital criticism bekannt. Dafür werden Bilder und Töne neu zusammengestellt, um Filme und andere
by Cristina Álvarez López & Adrian Martin. The audiovisual essay is not a strict genre or a delimited form – it is the name for a burgeoning field of inquiry, research, and experimentation within academia and also beyond it; the expression of critical, analytical, and theoretical work using the resources of audiovisuality
by Volker Pantenburg This dossier on audiovisual essays focuses on a trajectory in the history of the video essay that tends to be ignored in current discussions of the format. According to a well-known genealogical account, the video essay was born from the encounter of platforms like YouTube, social media, cinephilia 2.0,
This grant will support a one-day public symposium on digital aesthetics presented by a group of twelve leading film and media academics, and an associated two-day workshop focused on encouraging these scholars to develop their presentations into 'audiovisual essays' incorporating moving images and sound.
The current trend of the audiovisual essay is the fruit of a complicated and diverse history or genealogy that various folk are still sorting out – usually according to their own polemical or institutional agendas. Suffice it to say, whether we nominate the founding texts as Jean Epstein in the early 1920s or Marshall McLuhan in
13.12.2016 -

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